Showing posts with label tame impala. Show all posts
Showing posts with label tame impala. Show all posts

Monday, 23 April 2018

Live Review: Famous @ The Old Blue Last, London (19/04/2018)

It's not often bands have the audacity and confidence to play a headline show on a Thursday in London without having any music online. Last week, at the legendary Old Blue Last, Famous did just that. Barring one track of robot-like spoken word on the band's SoundCloud page, the band don't really promote themselves much and it's clear they've built their dedicated following through the live circuit.

Photo credit: Phil Smithies

The first thing to mention is how tight Famous actually were. The sometimes complicated bass grooves locked in perfectly with the drum sections and different loops, also triggered by the drummer. This strong foundation ensured Famous' own blend of new-wave, disco indie could be delivered with captivating eccentricity from front-man and blazer waring extraordinaire, Jack Merrett. The band opened with a spoken word introduction backed by electronic drum loops and synth patterns before exploding into their eclectic set of Joy Division, disco, and punk influenced indie-pop bangers.

Famous' themes and lyrics are rooted in the anxiety of the modern age and their instrumentals compliment Merrett's abrasive, yelping vocals. The vocal delivery of each track was performed with a clear and brilliant conviction and every single song was finished with rapturous applause from the packed out crowd.

It's fair to say that Famous stylistically looked like six strangers that wouldn't even talk at a bus stop but their on-stage presence and chemistry was infectious. We can't wait to hear recorded music from the band, but in the meantime, get out to a show, they're incredible and the songs really deliver.

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Friday, 13 April 2018

The Worst and Best of New Music Friday (13/04/2018)

It's New Music Friday and we're here to guide you through the worst and best tunes released today.

Worst

ZAYN - Let Me


Bradford's worst export and the epitome of a wet lettuce has returned with another bland and excruciatingly drab tune. His voice is so one dimensional it's insane. The production is equally as boring as the performance. We've had more enjoyable experiences watching paint dry than listening to this rubbish.

Tyreeeezy - Oh Nah


This dancehall beat with some mumbling autotuned fool 'singing' over the top trend has to stop. There's only so many variations of this type of tune we can handle. The track is called 'Oh Nah' so imagine for yourself what the lyrics are like. Poetry at it's finest.

September (Spotify Singles) - Taylor Swift


The Spotify singles series has actually resulted in some great covers by some great artists but this is one step too far. Taylor Swift has actually murdered one of the greatest disco tunes of all time. Her twee banjo and soft, folk take on the 70s classic is so cringe it hurts. Stay away.

Gavin James - Always


This is just music for your Nan who bought Gavin James' CD as a little treat after getting lost in ASDA and finding herself stuck on the music and video isle. She says, 'It's like Ed Sheeran, I like him, Ed, he's such a nice boy'. Leave it with your Nan, it's really bad.

Honourable Mentions

Bebe Rexha - Ferrari
Gavin James - Always
King Princess - Talia
Bazzi - Myself
6ix9ine - GOTTI

Best

Janelle Monáe - Pynk (Feat. Grimes)


Now, THIS is how you write a pop song. Janelle Monáe has collaborated with Canadian songwriter-producer Grimes to create a brilliantly well structured and interesting tune that celebrates creation, self-love and sexuality. The music video directed by Emme Westenberg is amazing too. Watch that here

Rolling Blackouts Coastal Fever - Talking Straight


Australian-based Rolling Blackouts Coastal Fever have returned with a new rip-roaring track titled 'Talking Straight'. It's a fast-paced indie banger with a guitar solo that shreds through the upbeat drums and simple vocals melodies. With a new album coming in June, it's time to get familiar with this Aussie five-piece.

Fists of Fury - Kamasi Washington


Jazz maestro and all-around legend Kamasi Washington released two new tracks towards the beginning of this week. 'Fists of Fury' is the highlight, with Washington's signature choir and experimental jazz motifs taking centre stage. Clocking in at just under 10 minutes, it's a slog but a bloody rewarding one. 

Alyss - 5D


'5D' is the new track from London singer-songwriter Alyss. Released through East London's Tropopause Records, the classically trained singer has created a distinct sound for herself. Her powerful vocals are backed by wonderfully experimental electronic instrumentals that bang hard. Go see her EP launch at the Pickle Factory on the 24th of April. It'll be massive.

Honourable Mentions

LUMP - Curse of the Contemporary
Florence + The Machine - Sky Full Of Song
2000 Angels - Ben Khan
Easy Life - Ice Cream

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Friday, 9 March 2018

The Worst and Best of New Music Friday (09/03/2018)

It's New Music Friday and we're here to guide you through the worst and best tunes released today. Click the titles to listen!

Worst

Dermot Kennedy - Young & Free


Dull as dishwater this. Nothing here is new, groundbreaking or interesting. Kennedy sounds like any other male singer trying out for the X-Factor. The husky strained vocals grate massively and the production is just plain crap. The trap beats and arpeggiated acoustic guitars sound awfully awkward. What a dirge.

Samantha Harvey - When It Comes Down


Samantha Harvey made her name by singing tunes with that annoying little Conor Maynard chap. She's somehow got herself a record deal and is now releasing bang average R&B influenced pop. This tune is monotonous, one dimensional and even attempts a fist pump moment for the final chorus. Just stop now, please.

Betty Who - Look Back


Annoying this one. According to her Spotify profile Betty Who takes influence from MGMT. We're not really sure where that influence goes, as its definitely not in her music. The Australian's voice is weirdly odd and doesn't seem to work with the big bombastic pop production. Definitely, swerve this one.

Jason Derulo - Colors


Jason Derulo is back and the 'Watcha Say' singer has brought his dancehall production (yawn) and the steel drums with him. Honestly, this isn't even that terrible, it just sounds like every other pop tune at the moment. Unadventurous and painstakingly drab. We genuinely can't wait for this current musical trend to end.

Honourable Mentions

Kylie Minogue - Stop Me From Falling

Best

ZHU & Tame Impala - My Life


This collaborative effort from ZHU and Tame Impala dropped earlier in the week and we've had it on loop ever since. Kevin Parker's wistful vocal's combined with ZHU's anthemic production makes this a house tune that we can get on board with. The groove and drop are minimal but effective making it perfect for those night time sessions.

Hinds - The Club


Spanish garage-rock band Hinds have released a new single off their upcoming album 'I Don't Run'. The track is lo-fi and raw with passionate distorted vocals throughout. The guitar leads are catchy as hell and the track is charmingly bright and melodic. We can't wait to hear the album!

Parquet Courts - Wide Awake!


Parquet Courts have released another absolute banger. 'Wide Awake' is the new single and title track from their forthcoming album. The percussion-heavy instrumental and funky basslines are complimented by the gang vocals and layers upon layers of catchy guitar parts. You have to watch the crazy video too. It's so much fun.

Matt Maltese - Greatest Comedian


'Greatest Comedian' is South London cult hero and singer-songwriter Matt Maltese's first offering off his recently announced debut album. The track is a lot more upbeat than his previous efforts and the production from Foxygen's Jonathan Rado adds extra character and life to the already witty Maltese.

Honourable Mentions

Beach House - Dive
Grouper - Parking Lot
Cut Worms - Don't Want To Say Goodbye
Jon Hopkins - Emerald Rush
serpentwithfeet - bless ur heart

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