Showing posts with label alt rock. Show all posts
Showing posts with label alt rock. Show all posts

Wednesday, 7 March 2018

Album Review: Haley Heynderickx - 'I Need to Start a Garden'


Haley Heynderickx has been making waves with her self-described 'doom folk' since the release of 2016's 'Fish Eye' EP. Growing up in Oregon, Heyndrickx now resides in Portland where she has honed her craft and musical style by mixing a love of jazz radio with 60s and 70s folk influences. Released through Mama Bird Recording Co, 'I Need to Start a Garden' is her debut full-length LP.

The album opens with the beautifully intimate 'No Face' where the delicate tone of the record is instantly set. The solitary acoustic guitar intertwines perfectly with Heynderickx's vocal. Second track 'No Bug Collector' is another finger-picked track but this time Heynderickx's vocals are double-tracked giving the song a fuller sound accentuated by baritone brass sections and deep rolling percussion. The instrumentation has an insect-like feel here, scurrying and snapping to wonderfully mimic the lyrics. On 'Jo' the vocals are centred once again to create that great sense of intimacy before the album's centrepiece 'Worth It' is introduced. Clocking in at just under eight minutes, the track is sprawling and twisting epic that ebbs and flows with great intensity.


On 'Show You a Body' and 'Untitled God Song' Heynderickx takes it back to her acoustic roots until halfway through the latter where the band take centre stage to produce a moment of pure attitude and grit. 'Oom Sha La La' is probably the most 'pop' sounding tune on the record. Lyrically the track seems rather nonsensical before Heyndrickx loudly screams the album title over and over. The album closer 'Drinking Song' is another relaxed folk number to make the LP come full circle.

Even though the album is achingly short (it clocks in at thirty minutes with only eight tracks), Heynderickx has created a beautifully concise and charming body of work that is easily one of the best folk records to be released in 2018 so far.

8/10
Best track - The Bug Collector
Worst track - Show You a Body

Listen to 'Worth It' here

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Tuesday, 6 March 2018

Track Review: Hum Fuzz - 'Act With Me'


At the end of last year, we introduced you to a young indie band from the South West of England called Hum Fuzz. They had just released their debut single 'Girl from the Bend' and for a first single we were pleasantly surprised. Now, the boys are back with their second single titled 'Act With Me' and it's as fun and well executed as the last.

The tune opens with upbeat rhythm guitar and vocals before the drums and bass are introduced to further accentuate the highly danceable groove. The song is packed full of catchy vocal melodies, lush, melodic instrumentation and lovely little breaks that show that the lads really know what they're doing. Once again Leo Nathan's vocals take centre stage and this time around they sound even better. There is more control and a little more restraint which shows Hum Fuzz have discovered a little bit more maturity in their unique sound. 

The song is more concise than their previous effort and it sounds as if the boys have honed their sound and style even more. After this second teaser, we really can't wait to see how much the four-piece grows over the year.

Listen to the 'Act With Me' below.



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Tuesday, 6 February 2018

EP Review: Glass Mountain - 'Wow & Flutter'


Bradford-based quartet Glass Mountain have released their second EP and first through Yorkshire label Hide & Seek Records. Drawing influences from alt-rock, dream-pop, post-rock, electronica and grandiose cinematic pieces, Glass Mountain have created a sound that's unique and worthy of any stadium performance.

The EP opens with the massive sounding 'Gin Flows Through My Veins' and from the off, Glass Mountain show their aptitude for creating songs with varying textures and rhythms whilst maintaining a consistent sound. On the second track 'Wait All Alone', the band introduce their indie-pop influences with a lighter, more upbeat sound. Experimental rhythms combined with glistening synths and bright guitar leads build throughout before the track drops to a brilliant single drum groove.

With 'Ghosts', Glass Mountain tap into their heavier, shoegaze influences. The guitars are more prominent here as they drive the choruses along with the heavy drums. The standout moment of the EP is the beautifully delicate closer 'Have to Lie'. The tenderness of Harry Hanson's lead vocal is highly emotive as the instrumentation slowly builds. The song contrasts brilliantly with the more imposing opening tracks.

On this second EP, Glass Mountain have shown they can balance large productions with moments of carefully managed restraint. The songs are emotive and well-formed and as an overall body of work, the 'Wow & Flutter' EP is one of brilliance. It won't be long until their anthemic choruses will be filling stadiums up and down the country.

Listen to 'Wow & Flutter' below.



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Thursday, 4 January 2018

21 Releases to get Excited About in 2018

 After an incredible year for music in 2017, we preview the releases we're most excited about (potentially) arriving in 2018.

Chromeo - Head Over Heels


Chromeo are by far the most underrated electronic, funk and disco duo knocking around today. Their goofy lyrics, 80's influenced synth work, cheesy guitar solos and hilariously brilliant vocoder hooks all come together to create songs worthy of any credible radio station. Check out their new single ‘Juice’ and we guarantee you’ll be walking like John Travolta in ‘Saturday Night Fever’ for the rest of the day.

First Aid Kit – Ruins


Swedish folk duo First Aid Kit are slated to release their fourth studio album in 2018 and their second released through major label Columbia. Following on from 2014's 'Stay Gold' and with three brilliant singles already released, the sisters look set to make 2018 their most successful year. 

Franz Ferdinand – Always Ascending


In early February 2018, indie legends Franz Ferdinand return with their fifth studio album. Working with Philippe Zdar of French synth-pop duo Cassius, 'Always Ascending' promises to be packed full of electronic, new-wave influenced pop hits.

S. Carey – Hundred Acres


Multi-instrumentalist and long-time member of Bon Iver’s touring band Sean Carey will release his third record as a solo artist. Expect beautifully formed folk songs with sweeping slide guitars and thick, layered vocal harmonies. If single ‘Fool’s Gold’ is anything to go by, we really are in for a rare treat.


ISLAND – Feels Like Air


Not Another Music Blog. favourites ISLAND will release their debut full length LP in April. The lads use heavy delays on their guitars coupled with Rollo Doherty’s gravelly vocal tones to create a unique sound. We expect big things from the London quartet next year.

Arctic Monkeys – TBA


Sheffield legends Arctic Monkeys have been spinning the rumour mill since mid-2017 about their impending untitled follow up to 2013's magnificent ‘AM’. With no music surfacing as yet, we can only hope Alex Turner and the boys pull out all the stops for potentially one of next year’s biggest albums.

MGMT – Little Dark Age


MGMT return with their fourth studio album ‘Little Dark Age’. The duo, hailing from America, have already teased two brilliant, psychedelic influenced pop bangers. ‘Little Dark Age’ is expected to be a long-awaited and welcome return to form.

Johnny Marr – TBA


One of the coolest and greatest guitarists of all time has been teasing a new project through his Instagram account over the past few months with each new picture captioned ‘Album 3’. Packed full of those signature jangly riffs, The Smiths legend will be hopefully returning with a bang.

Kanye West – Turbo Grafx 16


Yeezy has been talking about this new record since the release of 2016’s ‘The Life of Pablo’. 2017 was a quiet year for Kanye and reports even suggested he went all Bon Iver on us and whisked himself off to a wintery cabin to focus on more music. We can wish he drops more music this year, but as we all know, nothing is certain in Kanye West’s world.

Grimes – TBA


We don’t know much about a new Grimes project (or even if there will be one) but the rumours have been bubbling away nicely for the last few months. It’s been three years since her last record ‘Art Angels’ blew us away so a new album will be welcomed with open arms.

Sports Team – Winter Nets


Northwest London-based Sports Team arrive with their debut EP ‘Winter Nets’ in January. The six-piece have garnered a brilliant live following and the buzz around them is constantly growing. They released two brilliant singles in late 2017 and have been featured on many prestigious ‘One’s to Watch in 2018’ lists. ‘Winter Nets' promises to be one of the indie debuts of the year

Marmozets – Knowing What You Know Now


After exploding on to the rock scene with their debut album in 2014 and extensive touring around the world, Yorkshire natives Marmozets return with their second album, ‘Knowing What You Know Now’. Expect riffs.

 Father John Misty - TBA


Josh Tillman told Uncut that his next record, which he has said will arrive in the coming year, is “a heartache album.” He has compared the effort to his second FJM full-length, 2015’s ‘I Love You Honeybear’. If he sticks to his word, it means there will be two Father John Misty albums released in two years. Simply lovely.

The 1975 - Music for Cars


After a blisteringly successful couple of years, The 1975 are releasing their third studio album in 2018. With no concrete release date announced yet, we’ll have to keep our eyes and ears open. There’s just one thing we ask, more bangers and less instrumentals please! 

Hookworms – Microshift


The third band from Yorkshire on this list, Hookworms announced the arrival of their new album ‘Microshift’ along with the fantastic single ‘Negative Space’. The single teases a more electronic musical direction, but as ever with Hookworms, nothing is as it seems.

Young Fathers – TBA


2014s Mercury Music Prize winners Young Fathers arrived with their new single 'Lord' in November of 2017 sparking rumours of a new album. There has been no official word as yet, but we can live in hope. The gospel influenced ‘Lord’ definitely peaked our interest.

Fickle Friends – You Are Someone Else


Brighton five-piece Fickle Friends have been very busy over the past 18 months. They’ve toured the UK, released pop banger after pop banger and have announced their debut album. Working with The 1975 producer Mike Crossey, the album promises to be full of catchy pop hooks and glistening synth parts perfect for a summer soundtrack.

Shame – Songs of Praise


No, this isn’t a covers album filled with biblical hymns from BBC2’s programme of the same name; it is in fact London post-punk outfit Shame’s debut album. After lighting up the London punk scene over the last few years, Shame are ready to go big and we can’t wait to see them grow.

The Streets - TBA


Mike Skinner announced that he would be reforming The Streets for a reunion tour in 2018. That tour sold out in under two minutes. (Can anyone sort us a ticket plz?) Since then, Skinner has released two tunes that have received mixed reviews but a new album could be right around the corner.

The Vaccines - Combat Sports


Indie heroes The Vaccines return with their fourth studio album 'Combat Sports'. The lads dropped the first single off the record titled 'I Can't Quit' in early January. The tune is raw, anthemic and perfect for those summer festival crowds.

Frank Ocean - TBA


Frank posted a picture on his Tumblr with a slogan on a blokes hat saying, ‘If you liked 2017, you’ll love 2018’. He released a fair few singles in 2017 following up to 2016's 'Blonded' and 'Endless'. Another album would be a joy. Come on Frank. You can do it.

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Wednesday, 13 December 2017

Track Review: Monocle - 'Jan1'


'Jan1' is the new track released from Bristolian noise-rock trio Monocle. This is the second release from their impending 2018 EP following on from their brilliant debut track 'Crabs'. Monocle was born out of a mutual desire to create something weirder, heavier and nastier than previous musical projects and it sounds like they have done exactly that.

The track opens with noisy guitars that contrast well with the tightness of the kit giving the tune a sense of heaviness whilst also creating an unconventional groove. The most captivating part about 'Jan1' has to be the vocal melodies. Delivered with sincerity and passion, vocalist Becky Whitlock sometimes sounds like a woman possessed. The melody chops and changes throughout, showing an incredible vocal range full of different tones and techniques. The experimentation doesn't stop there. The song structure is unorthodox, there is no clear 'verse, chorus, verse, chorus' structure which could make the tune a challenge for some listeners. It's these individualistic musical traits that ensure Monocle stand out from the crowd.


With 'Jan1', Monocle have released a challenging body of work that pushes the boundaries of the noise-rock genre. With this second teaser from their impending EP, the trio have definitely peaked our interest. We can't wait to hear what's next.

Listen to 'Jan1' below.



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Wednesday, 29 November 2017

Track Review: Hum Fuzz - 'Girl from the Bend'

Hum Fuzz are an indie band hailing from the southwest of England. Leo Nathan (vocals & guitar), Alex Watson (lead guitar), George Lappin (bass), and Ollie White (drums) are self professed best mates and from the sound of their debut single 'Girl from the Bend', they sound like they 're having the time of their lives.

For a debut single from a very young band, 'Girl from the Bend' is fantastic. There's no messing around here as the band are all introduced as soon as the song opens. Nathan's brilliantly soulful vocals are complimented by a tight rhythm section with walking bass-lines, soft, jazz influenced guitar chords and the light touch of a Mac DeMarco-esque lead guitar section.


It's in the choruses where things become more straight-forward. Hum Fuzz's indie influences take centre stage here as the tempo is raised and the band blast through the choruses with contrasting tones to the verse. This shift in atmosphere is well implemented and the tight transition doesn't make it feel forced.

Unfortunately, there are moments in the track where it seems like the band lose focus. Clocking in at over 5 minutes long, it feels as if the overall vibe of the track is calling out for a more concise and focused structure. However, this is just a small criticism as the band are clearly still developing and this will come in time.

With their first single, the Hum Fuzz lads have created a unique sound with Leo Nathan's brilliantly passionate vocal sitting at the helm. Keep your eye's and ear's on Hum Fuzz, we definitely can't wait for what's next.

Listen to 'Girl from the Bend' below.




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Monday, 27 November 2017

Track Review: Slow Blood - 'Prayer'

Slow Blood are an Edinburgh based trio exploring the boundaries of alt-rock, noise, goth and pop. The band have developed their intense sound over two singles, with debut 'Demon Speed' and their most latest offering 'Prayer'. Consisting of Gregor McMillian (bass & vocals), Gareth Anderson (drums) and Mike Bryant (guitar & vocals), the band have worked closely with Rod Jones of Idlewild fame to build a distinct musical identity.


'Prayer' opens with a distorted soundscape before booming drums are introduced. The production of the track is dark and ominous and the simple guitar riff shows this. Its fair to say that the Slow Blood lads know exactly what they're doing here. On 'Prayer', the experimentation is plain to see and this only adds to the character of the track as a whole. The chorus transitions from double time to half time over the space of two bars giving the tune a sense of urgency that could have been lacking without. The six beat drum break in the second verse is a touch of class giving the track a much sought after groove element. It's on these little musical phrases that Slow Blood thrive. The song finally builds to a distorted, riff heavy middle eight before crashing into the final chorus.


Slow Blood have created something unique here by coupling anthemic choruses and bone-crunching riffs to achieve a brilliant second single. The groove laden, dark instrumentation works well with the high pitched harmonized vocals making 'Prayer' a tune to wrap your ears round right now. 

Check out the video for 'Prayer' below.



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